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    The Australian Jazz Quintet - At The Varsity Drag (1956) 2014 Japan Bethlehem Album Collection 1000



    The Australian Jazz Quintet - At The Varsity Drag (1956) {2014 Japan Bethlehem Album Collection 1000}
    The Australian Jazz Quintet - At The Varsity Drag (1956) {2014 Japan Bethlehem Album Collection 1000}
    EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 128 Mb | MP3 @320 -> 86 Mb
    Full Artwork @ 600 dpi (png) -> 221 Mb | 5% repair rar
    © 2014 Solid Records / Bethlehem | CDSOL-6143 | LP BCP-6012 | Mono
    Jazz / Cool / Vibes / Flute

    "Weird winds make this a mighty nice record - a blend of the tenor and bassoon of Errol Buddle and alto and flute of Dick Healy - all set to piano from Bryce Rhode, and vibes from the great Jack Brokensha! All players have a very strong sense of tone and color - and move together at a level that might be influence by the experiments of the Modern Jazz Quartet, but which also takes on a much more expressive feel with the presence of the reeds. Tracks are short and tightly arranged - and tunes include "So Nice", "Few Get It", "That Old Feeling", "Koala", and "Lover Man"."


    Nat King Cole & Friends - Riffin: The Decca JATP Keynote and Mercury Recordings (1940-46) 3CD Verve Limited Edition 2010



    Nat King Cole & Friends - Riffin': The Decca, JATP, Keynote and Mercury Recordings (1940-46) {3CD Verve Limited Edition 2010}
    EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 762 Mb | MP3 @320 -> 510 Mb
    Full Artwork @ 600 dpi (jpg) -> 366 Mb | 5% repair rar
    © 2010 Verve / Hip-O-Select | B0013384-02
    Jazz / Modern Jazz Vocals / Piano / Traditional Pop

    There’s much more to Nat King Cole than you know. Nat was surely a smooth singer and a gentle swinger. But he was also a consummate jazz piano player who recorded secretly as a sideman for Keynote and Mercury – using amusing pseudonyms – even as he rose to fame recording hit after hit for Capitol Records. Riffin’: The Decca, JATP, Keynote and Mercury Recordings, a 3-CD box set on Hip-oSelect.com’s Verve Select imprint, features Nat backing his many friends in the 1940s, as well as his original King Cole Trio singles on Decca – a total of 53 tracks significantly restored and remastered, and housed in a beautiful 7 3/8” square box set with a 30-page book stuffed with rare photos, a brilliant essay by David Ritz, detailed session notes and reproductions of the original releases’ artwork, from 78 RPM labels to 10-inch LP covers and much more.


    Shorty Rogers & His Giants - Way Up There (1955) 2012 Japan 24-bit Remaster Jazz Best Collection 1000 Series



    Shorty Rogers & His Giants - Way Up There (1955) {2012 Japan 24-bit Remaster} [Jazz Best Collection 1000 Series]
    EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 200 Mb | MP3 @320 -> 96 Mb
    Full Artwork @ 600 dpi (png) -> 174 Mb | 5% repair rar | 24-bit remaster
    © 2012 Atlantic / WEA / Warner Japan | WPCR-27159 | Jazz Best Collection 1000 Series
    Jazz / Cool / West Coast Jazz / Trumpet

    Features 24 bit remastering and comes with a mini-description. Shorty Rogers is definitely way up there with this classic album for Atlantic Records – hitting heights that even go beyond his more famous sides for RCA! The groove here is sharp, but also has room for lots of individual flavors too – thanks to different groupings of west coast players who include Bud Shank on alto, Jimmy Giuffre on baritone and tenor, Lou Levy on piano, Shelly Manne on drums, Barney Kessel on guitar, and Pete Candoli, Conte Candoli, Harry Edison, and Don Fagerquist on trumpets! Shorty himself wrote nearly all the tracks on the set – at a point at which he was really hitting his stride as a composer, doing an incredible job of mixing modern ideas and swinging jazz – as you'll hear on cuts that include "Pixieland", "Solarization", "Baklava Bridge", "March Of The Martians", "Moten Swing", and "Wail Of Two Cities".


    Quintetto Basso-Valdambrini - Walking In The Night



    Quintetto Basso-Valdambrini - Walking In The Night (1960) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}
    EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 250 Mb | MP3 @320 -> 94 Mb
    Full Artwork @ 600 dpi (png) -> 195 Mb | 5% repair rar | Mono
    © 2014 RCA / Sony Music Japan | SICP 4267
    Jazz / Hard Bop / Modal Music / Continental Jazz

    Reissue with latest remastering. Comes with liner notes. Some of the best modern jazz Italy had to offer in the postwar years – and a record that's gone onto be the blueprint for countless recent work from groups on labels like Schema and Deja Vu! Tracks are short, but very groove-centered – often mixing modal jazz rhythms with hardbop solo energy – served up beautifully through the tenor of Gianni Basso and the trumpet of Oscar Valdambrini! The pair are hardly a household name on this side of the Atlantic, but their interplay here matches the best on Blue Note from the same time – and gets some great rhythm support from the trio of Renato Sellani on piano, Giorgio Azzolini on bass, and Gianni Carzola on drums. Most tracks here are originals by members of the group, and titles include "Lotar", "Time Was", "Bashfully", "Tea Time", "Mitigati", "Renee", "Dialogo", and "Ricordando Lester".


    Ralph Burns And His Ensemble - Bijou (1955) 2014 Japanese Bethlehem Album Collection 1000



    Ralph Burns And His Ensemble - Bijou (1955) {2014 Japanese Bethlehem Album Collection 1000}
    EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 142 Mb | MP3 @320 -> 103 Mb
    Full Artwork @ 600 dpi (png) -> 215 Mb | 5% repair rar
    © 2014 Solid Records / Bethlehem | CDSOL-6137 | LP BCP-68
    Jazz / Bop / Piano

    Amazing small group work from Ralph Burns – a real standout, given the amount of his larger ensemble sessions in the 50s! The album features Burns on piano – overdubbed on some tracks – working with a combo that includes Jimmy Raney on guitar, Clyde Lombardi on bass, and Osie Johnson on drums – all gently modern players who fit perfectly with Ralph's vision for the record. Things aren't as dark or as arch as on some of Burns' bigger dates of the decade – almost a bit warm at times, especially thanks to Ralph's piano lines. Titles include "Autobahn Blues", "Echo Of Spring", "Spring Sequence", "Spring", "Spring Is Here", and "Gina".


    Hampton Hawes - Northern Windows



    Hampton Hawes - Northern Windows (1974) {2014 Japan Rare Groove Funk Best Collection 1000}
    EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 226 Mb | MP3 @320 -> 80 Mb
    Full Artwork @ 600 dpi (png) -> 191 Mb | 5% repair rar
    © 2014 Prestige / Concord / Universal Music Japan | UCCO-90359
    Jazz / Jazz Funk / Hard Bop / Piano

    One of the best David Axelrod-assisted albums from the early 70s – a sweet batch of funky cuts with arrangements and backings handled by Axe, and loads of great keyboard lines from the legendary Hampton Hawes! The record really bubbles with the warm and soulful approach Axelrod was using at Fantasy – kind of a step off his stark modern sound at Capitol, but still done with just the right amount of space and appreciation of a funky rhythm. The great Carol Kaye is on bass, and Hawes plays some totally sweeeeeeeet electric keys on the set – really stretching out in ways that are different than some of his acoustic work of a few years before – yet still filled with the same rich sort of imagination. Titles include "Sierra Morena", "Go Down Moses", "Web", "Tune Axle Grease", and "C&H Sugar".


    Ryuichi Sakamoto - 1996



    Ryuichi Sakamoto - 1996 (1996)
    EAC | FLAC | Tracks (Cue&Log) ~ 269 Mb (incl 5%) | Mp3 (CBR320) ~ 144 Mb (incl 5%) | Scans included
    Genre: Modern Classical, Minimalism, Ethnic Fusion, Jazz, Electronic | Label: Milan | # 7313835759-2 | Time: 00:52:27

    The album 1996 contains 12 pieces arranged for violin (Everton Nelson, David Nadien, or Barry Finclair), cello (Jaques Morelenbaum), and piano (Ryuichi Sakamoto), including both new compositions and music used in the soundtracks to The Last Emperor, Merry Christmas Mr. Lawrence, The Sheltering Sky, and High Heels. The music is for the most part restrained and reflective, as Sakamoto makes use of the contrasting timbres of the chamber instrumentation, mixing melodic and rhythmic effects soothingly (the exceptions being the more quick-moving "M.A.Y. in the Backyard" and "1919," which uses a barely audible voice and staccato playing to stirring effect).


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